THIS IS IT!!!
Here's the trailer from the opening weekend of ECSTASY FOR EVERYONE!
Such ecstatic pleasure to bring the words of James Broughton to the stage.
Thursday, February 20, 2014
Monday, February 10, 2014
My Valentine to James Broughton & Poetry
This week marks the opening of the full length one-act production of "ECSTASY FOR EVERYONE: A Theatrical Celebration of the Poetry & Art of James Broughton"and I am indeed feeling ecstatic for it! James, I am ready to "beguile the rest of the world with the seductions of your frisky gospel"
It's been quite a year. It was last February when "Kitten" & David, the Radical Faeries from SF came to LA to promote the upcoming documentary film "BIG JOY: The Adventures of James Broughton". I knew I wanted to be involved in honoring James, but I didn't quite know just what I was getting into. But once I started reading his poetry, I knew there was a powerful piece of poetic theatre to be made. The blessing of James's partner Joel Singer, the guidance of Mark Thompson, the championing of filmmaker Stephen Silha, the coaching of Sky Palkowitz, and many others have come in to give this piece such loving wings.
So, February 14th may be Valentine's Day, but come February 15th I'll be sending up a vibration of love into the cosmos with the theatrically staged reciting of James Broughton's exquisite poetry.
Get your tickets NOW to experience the ECSTASY!
http://ecstasyforeveryone.brownpapertickets.com/
Saturday, February 15, 22, & March 1 @ 8pm
Sunday, February 16 & 23 @ 6pm
Spirit Studio in Silverlake
3711 Evans Street (off Hyperion)
Los Angeles, CA 90027
"Come! Convalesce with me in the clarity of wonder
Together we can dawdle in the hotbeds of heaven
And dance untrammeled in the palaces of wisdom!"
Saturday, February 1, 2014
Ecstatic Alignment in ECSTASY FOR EVERYONE
“Bring your orbits into harmony - time to plant starseed in one another’s eyes”
Counting down. 2 weeks until the opening of the show. Yesterday I had one of those “aha” moments as if my inner being had suddenly moved into some sort of cosmic alignment. I felt the harmony of my actions, saw the bigger picture of my life in play, and gained an appreciation for what already has been and an excitement for what is yet to be. I’m feeling the ecstatic bliss of working on ECSTASY FOR EVERYONE. Sure, there is a lot of work to do yet, but I’m feeling great about the show and my connection to the material. The more I rehearse, the more the words are taking root inside of me, and I feel that my life thus far has created a fertile landscape for its growth.
I have been swimming lately, and enjoying the way the movement in the water is making me feel. Admittedly I have been out of shape - enticed by many festive feast indulgences and using my busy busy activities as an excuse for not having enough regular exercise. But this show has activated me. I am indeed in a process of training, both the body at the gym and yoga mat, and in mind with the rehearsing and memorization. Creating a full length show of this scale is putting forth a good challenge to reach for. I think about the athletes training for the upcoming Olympics and the extreme amount of focus and discipline they manifest. Their dedication is why so many will be watching them in awe. Then of course my mind goes out to those who don’t have access or ability to the level of support and skill that Olympians do, and to all the people in Russia and other countries where being queer/gay has dire consequences. I feel very privileged in my life to live as open and free as I do. The community in LA is full of gay cultural riches. It may in fact, be too much and overwhelming at times, but right now I am in sincere appreciation for all those gifts. I feel that my creation and process of putting on ECSTASY FOR EVERYONE is making good on the opportunities I am granted.
And this show fits in so perfectly with the body of work I have already been doing over the past 13 years as a performance artist and 26 years as a multimedia artist (counting since age 13 when I got my first videocamera and made movies). I’m 39 years old and aware that the time is flowing by. I’m not a youngster anymore - there are certain things as a performer I just can’t do anymore (or at least not without aches and pains or other consequences). But this is exactly why I love working with James Broughton’s material - he is an eternally young trickster and his poetry is so utterly vibrant it brings out the inner child to frolic. In this piece I get to take all the years and various experiences of creating lush, sensual, homoerotic, fantastical, magical performance art and put it to use with the exquisite body of work that James Broughton brought forth into this world. It makes so much sense - the arc of my work over the years and now this piece of the cosmic puzzle allows me to appreciate and see the bigger picture.
I see connections to the show I did called “Cavafy’s Caress” - about the gay poet Cavafy. In fact it was because I did that show, that I recognized one could be created from James’s poetry. I see connections to my unorthodox spiritual cabarets - soulful singing and storytelling plays well with Broughton’s wise words - and I’ve even crafted three songs out of his poems. I see connections to my days in the Invisible Theater were we created some rather wildly amazing archetypal performances ranging from profound to campy for an intimate and mostly gay audience. I see connections to the various productions for Rachel Rosenthal or at Planet Queer/Queer Mondays/Phyllis’ Garage. It’s making sense to me, and I am in sublime appreciation of that.
Sometimes I feel that I “should” be doing more for human rights around the world. It pains me to sit by while the world continues to mistreat and/or demonizes gay people. There are indeed amazing strides that have been made, but the battle is far from over. But I don’t feel I’m sitting by casually - I am incredibly active, and truly feel that I am doing my small part by creating a show like this, if nothing else because I can. And because it brings to life the words of a great man who deserves greater recognition in this day and age. And because it is so free and expressive of a show that celebrates sexuality and life, and will leave people feeling uplifted. My rehearsals for it are certainly bringing me to a euphoric state - it takes a lot out of me, but if it can be a fraction of as thrilling for those to see it as it is to perform, then hooray - that’s my little part to play in this crazy world we live in. I feel so utterly grateful for the opportunity to create and share this work.
Ok, back to work - only two more weeks - training, training!
“This is an alleluia of life - This is the humming of humansong.”
 | |
| 5 performances begin Feb 15 - more info hiveworld.org |
I have been swimming lately, and enjoying the way the movement in the water is making me feel. Admittedly I have been out of shape - enticed by many festive feast indulgences and using my busy busy activities as an excuse for not having enough regular exercise. But this show has activated me. I am indeed in a process of training, both the body at the gym and yoga mat, and in mind with the rehearsing and memorization. Creating a full length show of this scale is putting forth a good challenge to reach for. I think about the athletes training for the upcoming Olympics and the extreme amount of focus and discipline they manifest. Their dedication is why so many will be watching them in awe. Then of course my mind goes out to those who don’t have access or ability to the level of support and skill that Olympians do, and to all the people in Russia and other countries where being queer/gay has dire consequences. I feel very privileged in my life to live as open and free as I do. The community in LA is full of gay cultural riches. It may in fact, be too much and overwhelming at times, but right now I am in sincere appreciation for all those gifts. I feel that my creation and process of putting on ECSTASY FOR EVERYONE is making good on the opportunities I am granted.
 |
| from Arboretum/Ash 2006 |
 |
| from Cavafy's Caress 2011 |
I see connections to the show I did called “Cavafy’s Caress” - about the gay poet Cavafy. In fact it was because I did that show, that I recognized one could be created from James’s poetry. I see connections to my unorthodox spiritual cabarets - soulful singing and storytelling plays well with Broughton’s wise words - and I’ve even crafted three songs out of his poems. I see connections to my days in the Invisible Theater were we created some rather wildly amazing archetypal performances ranging from profound to campy for an intimate and mostly gay audience. I see connections to the various productions for Rachel Rosenthal or at Planet Queer/Queer Mondays/Phyllis’ Garage. It’s making sense to me, and I am in sublime appreciation of that.
 |
| from Confessional 2009 |
Sometimes I feel that I “should” be doing more for human rights around the world. It pains me to sit by while the world continues to mistreat and/or demonizes gay people. There are indeed amazing strides that have been made, but the battle is far from over. But I don’t feel I’m sitting by casually - I am incredibly active, and truly feel that I am doing my small part by creating a show like this, if nothing else because I can. And because it brings to life the words of a great man who deserves greater recognition in this day and age. And because it is so free and expressive of a show that celebrates sexuality and life, and will leave people feeling uplifted. My rehearsals for it are certainly bringing me to a euphoric state - it takes a lot out of me, but if it can be a fraction of as thrilling for those to see it as it is to perform, then hooray - that’s my little part to play in this crazy world we live in. I feel so utterly grateful for the opportunity to create and share this work.
Ok, back to work - only two more weeks - training, training!
“This is an alleluia of life - This is the humming of humansong.”
 |
| from Red Lights 2006 |
 |
| from Invisible Theatre Dreams & Desires 2006 |
 |
| from The Myth of Snowflakes 2005 |
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