A Man of Many Colors - meet Bill Thierfelder

Photo by CLIFF SATRIANO, "Photo Stories, New York"

This week I continue profiling artist friends with a man whose philosophy and approach to life I admire as a fine example of a Jack of All Trades/Renaissance Man. His passion for contributing to the social good while pursuing a wide spectrum of interests sets a wonderful example for others, so I’m pleased to introduce Bill Thierfelder of Long Island, New York. This week some of Bill’s artwork will be featured at The Gallery at 40 South in Patchogue, NY - opening this Saturday, April 16. 

Bill has a long list of credits, but when I first met him I knew him more as the Professor of English at Dowling College and as a friend of a friend of a friend! Since that time I’ve discovered his many talents and gathered a respect for his philosophy and approach towards life, which finds it equally important to enjoy his artistic pursuits while giving back to the well-being of the community. He does this while maintaining a zest and curiosity for life. Over the years I’ve enjoyed gazing upon his colorful artistic pursuits, read some of his clever science fiction novels, heard him give well-researched lectures on historical figures, and cheered him on as he’s raised money and awareness for local organizations. Bill has continued to utilize his experience in new ways and continually develop himself through time, a key element for all Renaissance Men to embrace.

"Opus 5B" by Bill Thierfelder - January 2011

I put forth a few questions for Bill to answer to give a greater glimpse into this knowledgeable and well-rounded man:

1. How do you describe yourself as an artist?
Eclectic. Art, writing, and motivational speaking form the core of who I am as an artist--with occasional forays into music composition. These are the ways I “speak” to the world around me. (I also listen that way, too. Exploring art, reading, attending lectures, and listening to music all fill up the spiritual well.)

2. What are the main genres you explore as a Jack of All Trades?
Writing, Drawing, and Motivational Speaking.

3. What is your favorite medium to work and why?
In my writing, I love to experiment with narrative possibilities and multiple perspectives--viewing the same set of characters or incidents from multiple angles. Why? Because I feel connected to the idea of perceiving things in multifaceted ways. All this rooted in my study of phenomenology and existentialism. In my art, I enjoy using some of the basic “childhood” tools--crayons, markers, ink pens, and colored pencils. Art was one of my first loves and I continue to use the media I used back then.

4.  How do you organize your time to complete work? Any trade secrets to successfully being a Jack of All Trades?
I work on something when it feels right. Sometimes that’s in the morning, but most times it’s afternoons or evenings. When I create, I need to step away frequently and do other things and then come back, so I might end up working on a lecture for a library, a piece of art, and a short story all on the same day, switching off from one to the other with other things in between. So I guess you could say that I work in “sound bites” of fifteen minutes up to an hour or so before I switch off to something else. Fortunately, I switch gears easily because even though I may stop working on a drawing to head off to work on a story, the piece of art is still percolating in my head. Maybe a good comparison or metaphor might be choral singing. The complete work is really made up of sopranos, altos, tenors, and basses working together to create harmony. So art might be the sopranos, writing the altos, lecturing the tenors, and my other creative “stuff” (like cooking and gardening) the basses. I am the “complete work.” When you ask who I am, I’m those four separate voices working together to make a whole.

"Beethoven Piano Concerto 5" by Bill Thierfelder 2008

5. What and who have been major influences and inspirations for your work?
 I love William Blake who meshed his writing and his art into a unified whole. One worked with the other. My list of favorite writers is endless, depending on the mood. Toni Morrison, Walt Whitman, the English Romantic poets, Emerson, Thoreau, existential writers, and all those grand Canadian ladies: Shields, Atwood, Munro. As for art, my “temple” is the Museum of Modern Art in New York. I can wander the galleries for hours, absorbing everything I see. The American Museum of Natural History and The Metropolitan Opera have also been and remain favorite, important “watering holes.”

6. Do you have a story you would like to share about the circumstances behind any particular work?
 I think all my work--the drawings and the stories--are very much informed by my day-to-day feelings and ideas. I really don’t write or draw anything “autobiographical” in the sense that I re-tell specific incidents. But I use my feelings and ideas as a launching point. A lot of my sense of isolation over the years (some of it self-imposed for self-protection) can be found in the kinds of characters and plot lines I create. My need to organize and synthesize (which is rooted in the emotionally unstable life I endured as a child) can be found in all my art. On the surface, it’s an abstract, seemingly spontaneous and colorful explosion of vivid colors. But if you look carefully, you’ll see that each drawing is really constructed from intricate layers of geometric shapes and or repeated, intricate design “bytes.”

7. What is next for you?
 My work as an artist is getting increasing recognition--I’ve been shown in Manhattan and at two different Long Island galleries in just the first four months of this year. I hope to see that trajectory bloom. I also continue to write stories and keep submitting them; someday “the break” will come. I don’t write for myself; I want to share with others and create a conversation. And I love my motivational work shops called MAKING WINGS: LIVING DELIBERATELY--what better thing to do than to help people see that they are treasure, that they can live meaning-filled lives, and that within them are all the tools they need for spiritual, emotional, and physical contentment.


You can discover more about Bill Thierfelder on his website: http://www.makingwings.net/

And for more of the  photographer Cliff Satriano's "Photo Stories NY": http://photostoriesny.com

"Final Exam: Question Three" by Bill Thierfelder 2009

"Final Exam: Answer Three" by Bill Thierfelder 2009

Gift Sharing

Happy Holidays, Merry Christmas, Happy New Year, Blessed Solstice, and all the many other splendid salutations out there! I thought it would be nice to share a seasonal gift with you: a bevy of beautiful images of the holiday window displays in NYC:

Such intricate works are rarely seen except at the posh stores like these in NYC along 5^th, Park and Madison Ave, where all manner of designers and artists are hired to elevate their window images (and give reason for the extravagant expense of items inside). Displays like these propel window dressing to a high form of installation art, obviously taking months to plan and prepare their execution. Seeing them takes me back to my childhood and happy memories.

My family loved to visit “The House on the Rock”, a tourist attraction in Wisconsin. In addition to the original house designed by Frank Lloyd Wright, are warehouses full of wonders, including a large assortment of antique mechanical jewelry store displays. We would spend hours pushing the buttons to activate and admire the little animated displays.

Taking photographs of my travels to share with family and friends also reminds me of cherished childhood times. I was definitely influenced by my mother, an avid documenter of family gatherings on her Super 8 motion camera. I loved watching the captured images flicker on the dining room wall to the hum of the projector’s motor and our laughter. I also looked forward to the slideshow presentations of exotic scuba diving vacations all over the world from my mother’s first cousin Russell. He’d set up a big projection screen at my grandparents’ farm. They were not events to be missed and I soaked up both the photos and his stories of those foreign worlds with wonder. I thank my mother and Russell for sharing their gifts and inspiring me along my path.

Joseph Campbell, the renowned mythologist and author, outlined the importance of sharing gifts as a common thread in all cultures and a key part of the Hero’s Journey. We all have personal Hero’s Journey’s to undergo, and as we move through life and overcome our various challenges, there are lessons learned and gifts received. Whether we choose to keep those treasures private or share it with others is up to us. We must weigh the price of sharing gifts; sometimes the gift or lesson isn’t well received by society or comes at great sacrifice. We can only discover by offering up the treasure, and seeing what happens next.

While the capitalistic machinery and businesses across the world need us to fuel the economy by shopping and spending, I hope that we all find time to share some more personal gifts with each other too – gifts that don’t come with a price tag or end up filling the trash cans with waste after the flurry of unwrapping is over, but gifts from our own personal journeys – that just may inspire others in ways we can never really know.

Blissings and love to all!

Jason

Walk: Make Art Whatever the Weather & Artist Profile: Yozmit

Here's a photo to emphasize that taking art walks is a necessity no matter how cold it is outside!

When it comes to inspiring urban environments to walk among, New York City ranks high and mighty. It's a city of numerous stimulating sights and sounds. It can be flourishing and pulsating, gritty and intense, vibrant and exhilarating, and at times overwhelming! This past week I was happy to trade in the t-shirts of Los Angeles for the bundled up layers of the Big Apple. I love the ease of moving around a city built for pedestrians, and even though my cheeks got rosy and my fingers numb at times, I was thrilled to be exercising my feet, and in the process my brain (see last week's post about the neurological benefits of regular walks).

Even though I saw shows (a few Broadway, an edgy alternative dance and an intimate cabaret) and art exhibitions, nothing quite thrills me like taking long walks in the NYC streets. And after feasting upon images of all sorts for several days, I ended my trip by meeting up with some fellow artist friends for a couple of photo shoots. This week, I focus my attention on Yozmit Mukta Avalokita, a very multi-talented gender-transcendent artist, fashion designer, performer, musician, and spiritualist.

Yo and I met several years ago in Rachel Rosenthal workshops. We've performed and collaborated in several pieces together. When I first moved to MacArthur Park in Los Angeles, Yo was my neighbor and welcomed me to the 'hood by taking me on my first walk through the park (which I have subsequently documented diligently during many a dog walk) and to lunch at Mama's Hot Tamales (a fixture of the community). His home for the past several years is NYC. I visited her in spring while she was involved in the performance recreations of Marina Abramovic's "The Artist is Present" exhibition at MOMA and it was great to visit once more this month.

I wanted to mark the occasion by taking photos of Yo for part of a new series I'm working on pairing up artist friends with digitally manipulated flowers that expresses part of their artistic personality (you'll see examples in time - these pictured here are pre-process). When Yo choose the lotus blossom, I thought shooting Yo underwater would be great. In asking Yo if he knew of anywhere we could do that, he declared Central Park. I was thinking a tub or an indoor pool. Somehow the freezing temperatures didn't seem to phase her, but I didn't want to risk her catching pneumonia.

She assured me that meeting up in the park and seeing what happened was the best way to go. I liked and trusted her approach. It didn't take long for us to find the perfect spot - a section of a pond near the southeast corner was covered with a thin layer of ice. So Yo stripped above the chest and laid out partially on the ice.

Because the process of making art is a very spiritual one for Yo, he mentioned that after the initial shock of cold, it didn't seem to bother him very much - it was a matter of mental discipline to ignore it.  A little crowd gathered around us, shocked that someone would brave the elements like she was.

After the shoot we continued our reunion by strolling around the park and talking about the importance of walking in the artistic process. We discussed spontaneity and being open to the surprises of nature - how surrendering our minds allows for an experience of transcendence. At times we took notice of the placement of leaves on the ground or little birds foraging for food. At one point Yo was elated to come upon an arrangement of tree branches that reminded her of the exact image she had in a dream the night before and showed me her sketch of it in her journal.

During our time together I definitely got the sense that Yozmit's spiritual and artistic growth is combining in beautiful ways. I got to hear an early track of upcoming music that combines pop/dance sensibility with spirituality. The lotus blossom's roots in the murky depths and beautiful flowering bloom above the water is the perfect representation for her.

"Walking is something very ordinary, but something very special, like the present moment...life."

- Yozmit

Yozmit is currently doing a series of "walks" - part performance, part meditative art pieces in which she dresses up in her self-designed and made costume/fashions and moves through various locations. To see more of Yozmit's art, ranging from the shocking to the spiritual - go to: http://yozmit.com/

Yozmit in full regalia during one of her performance/meditative walks in Bedstuy, Brooklyn recently.
Photo by Jonathan Balthaser